I have a new essay on the 2019 film The Lighthouse in HASH Journal, a new publication that I adore. This essay is part of my ongoing series on film and whiteness, all of which can be found on my Published Work page.
You can read the essay here.
I had a number of things published in the past few days around the web:
For the Lunch Ticket blog, I wrote about what it means to sit alone in my room listening to music and how it connected me to the wider world. You can read it here.
For Issue IV of Variety Pack, I wrote a review essay about some books that have helped me learn how to grieve in a nation that does not grieve well. I considered Marion Winik’s The Big Book of the Dead, alongside Camus’ The Plague, Jesmyn Ward’s Men We Reaped, and Joan Didion’s The Year of Magical Thinking.
For The Adroit Journal, I reviewed Melissa Valentine’s wonderful memoir The Names of All the Flowers, which has stayed with me since I read it last July.
Thanks to all of you who choose to read.
For Issue 13 of No Contact Mag, I wrote about the Texan fear—and my sustained hope—of “turning into” California and how Westerns prove there’s less space between the two than Texas and John Wayne might like. I’m thrilled to be in this magazine, which you can read here.
“The Lone Star” was previously shortlisted for The Forge Literary Magazine‘s Flash Competition. Their encouragement gave me the final push I needed to find this essay a home.