Tag: a24
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“Offscreen” in Postscript Magazine
I have a new essay of film criticism in the latest issue of Postscript Magazine. In it, I examine Spring Breakers as a film that does or doesn’t interrogate whiteness, and how that ambiguity is too costly in light of the white American inability to see whiteness onscreen. You can read it here.
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“Some Notes on Enchantment” in HASH Journal
I have a new essay on the 2019 film The Lighthouse in HASH Journal, a new publication that I adore. This essay is part of my ongoing series on film and whiteness, all of which can be found on my Published Work page. You can read the essay here.
Ben Lewellyn-Taylor 